Sound Body Dance Compositions: An Investigation Through IMU Sensors and Their Effects on Movement Quality
Resumo
The Sound Body Dance Compositions: An Investigation Through IMU Sensors and Their Effects on Movement Quality is a field report that presents findings from interactive creative research with Inertial Measurement Units (IMUs), developed by the Núcleo Redes group, using smartphones, smartwatches, and XSens wearable sensors. It discusses how different devices influence movement qualities in dance, grounded in Laban’s Movement Analysis System and based on the authors’ personal experiences with these IMUs as sound-generating systems.Referências
Rafael Kuffner dos Anjos, Claudia Ribeiro, and Carla Fernandes.Three-dimensional visualization of movement qualities in contemporary dance. In Proceedings of the 5th International Conference on Movement and Computing, pages 1–7, 2018.
Tobias Großhauser, Bettina Blasing, Corinna Spieth, and Thomas Hermann. Wearable sensor-based real-time sonification of motion and foot pressure in dance teaching and training. Journal of the Audio Engineering Society, 60(7/8):580–589, 2012.
Wang Jing and Zhang Xiaolong. Wearable sensorbased motion data analysis and dance performance using images and cloud computing. Mobile Information Systems, 2022(1):4305073, 2022.
Guilherme Zanchetta, Micael Antunes, Danilo Rossetti, and Jonatas Manzolli. Composing interactions: Co-creative generation of sound and movement in multimodal architectures. JIM, 2012.
Marc Leman and Luiz Naveda. Basic gestures as spatiotemporal reference frames for repetitive dance/music patterns in samba and charleston. Music Perception, 28(1):71–91, 2010.
Yuko Nakano and Takeshi Okada. Process of improvisational contemporary dance. In Proceedings of the Annual Meeting of the Cognitive Science Society, volume 34, 2012.
Rudolf LABAN. Domínio do movimento.(org.). Lisa Ullmann.Tradução Anna Maria Barros de Vecchi e Maria Sílvia Mourão Netto, 5, 1978.
ERD Alcala, JA Voerman, JM Konrath, and A Vydhyanathan.Xsens dot wearable sensor platform white paper. White Paper, 20, 2021.
Daniela Gatti. Sound Body as Embodied Poetic Interaction. In: International Conference on ArtsIT, Interactivity and Game Creation. Cham: Springer Nature Switzerland, pages 57-72, 2023.
Tobias Großhauser, Bettina Blasing, Corinna Spieth, and Thomas Hermann. Wearable sensor-based real-time sonification of motion and foot pressure in dance teaching and training. Journal of the Audio Engineering Society, 60(7/8):580–589, 2012.
Wang Jing and Zhang Xiaolong. Wearable sensorbased motion data analysis and dance performance using images and cloud computing. Mobile Information Systems, 2022(1):4305073, 2022.
Guilherme Zanchetta, Micael Antunes, Danilo Rossetti, and Jonatas Manzolli. Composing interactions: Co-creative generation of sound and movement in multimodal architectures. JIM, 2012.
Marc Leman and Luiz Naveda. Basic gestures as spatiotemporal reference frames for repetitive dance/music patterns in samba and charleston. Music Perception, 28(1):71–91, 2010.
Yuko Nakano and Takeshi Okada. Process of improvisational contemporary dance. In Proceedings of the Annual Meeting of the Cognitive Science Society, volume 34, 2012.
Rudolf LABAN. Domínio do movimento.(org.). Lisa Ullmann.Tradução Anna Maria Barros de Vecchi e Maria Sílvia Mourão Netto, 5, 1978.
ERD Alcala, JA Voerman, JM Konrath, and A Vydhyanathan.Xsens dot wearable sensor platform white paper. White Paper, 20, 2021.
Daniela Gatti. Sound Body as Embodied Poetic Interaction. In: International Conference on ArtsIT, Interactivity and Game Creation. Cham: Springer Nature Switzerland, pages 57-72, 2023.
Publicado
15/09/2025
Como Citar
FAUSTINO, Isadora Alonso; GATTI, Daniela.
Sound Body Dance Compositions: An Investigation Through IMU Sensors and Their Effects on Movement Quality. In: SIMPÓSIO BRASILEIRO DE COMPUTAÇÃO MUSICAL (SBCM), 19. , 2025, Campinas/SP.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2025
.
p. 59-62.
DOI: https://doi.org/10.5753/sbcm_estendido.2025.14547.
