A computer-based framework to analyze continuous and discontinuous textural works using psychoacoustics audio descriptors

  • Micael Antunes University of Campinas
  • Danilo Rossetti University of Campinas
  • Jonatas Manzolli University of Campinas

Resumo


This paper discusses a computer-aided musical analysis methodology anchored on psychoacoustics audio descriptors. The musicological aim is to analyze compositions centered on timbre manipulations that explore sound masses and granular synthesis as their builders. Our approach utilizes two psychoacoustics models: 1) Critical Bandwidths and 2) Loudness, and two spectral features extractors: 1) Centroid and 2) Spectral Spread. A review of the literature, contextualizing the state-of-art of audio descriptors, is followed by a definition of the musicological context guiding our analysis and discussions. Further, we present results on a comparative analysis of two acousmatic pieces: Schall (1995) of Horacio Vaggione and Asperezas (2018) of Micael Antunes. As electroacoustic works, there are no scores, therefore, segmentation and the subsequent musical analysis is an important issue to be solved. Consequently, the article ends discussing the methodological implication of the computational musicology addressed here.

Palavras-chave: Music Analysis and Synthesis, Music Information Retrieval, Music Perception, Psychoacoustics and Cognition

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Publicado
25/09/2019
ANTUNES, Micael; ROSSETTI, Danilo; MANZOLLI, Jonatas. A computer-based framework to analyze continuous and discontinuous textural works using psychoacoustics audio descriptors. In: SIMPÓSIO BRASILEIRO DE COMPUTAÇÃO MUSICAL (SBCM), 17. , 2019, São João del-Rei. Anais [...]. Porto Alegre: Sociedade Brasileira de Computação, 2019 . p. 4-11. DOI: https://doi.org/10.5753/sbcm.2019.10415.