Synthesizing Tradition: Physical Modeling and Composition with the Colombian Gaita
Resumo
This article focuses on the physical modeling of the Colombian gaita using waveguide synthesis techniques. Based on an acoustic analysis of the instrument, the gaitacol∼ object was developed in the MAX/MSP environment to simulate its sound in real time. The resulting synthesis was integrated into the composition Entre tanto y tanto, un caminar continuo, where the dialogue between the acoustic and digital versions of the gaita explores the convergence of traditional sound and technological processes. This work contributes to the field of computer music by applying physical modeling to a non-Western instrument and proposing creative frameworks for its integration into contemporary composition.Referências
José Luis Ascensión Gómez Blanco. Las gaitas del jaguar. Estudios del patrimonio cultural, (14):6–11, 2016.
Federico Ochoa Escobar. El libro de las gaitas largas: tradición de los Montes de María. Edtitorial Pontificia Universidad Javeriana, 2013.
Neville H Fletcher and Thomas D Rossing. The physics of musical instruments. Springer Science & Business Media, 2012.
Curtis Roads. The computer music tutorial. MIT press, 1996.
Julius O Smith. Physical modeling using digital waveguides. Computer music journal, 16(4):74–91, 1992.
Daniel Gómez Díaz-Pinés. SÍntesis digital de instrumentos musicales: SÍntesis digital de pianos electrÓnicos, 2005. Available at [link].
Camilo Gómez Bonilla. Sound synthesis of a colombian gaita by means of physical modeling. Master of arts thesis, McGill University, Montreal, Canada, 2020.
Gary P. Scavone. An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design. PhD thesis, Stanford University, Stanford, CA, 03/1997 1997.
Perry R Cook and Gary P Scavone. The synthesis toolkit (stk). In ICMC, 1999.
Steve Philbert. Developing a reverb plugin; utilizing faust meets juce framework. In Audio Engineering Society Convention 143. Audio Engineering Society, 2017.
Dan Trueman and R Luke DuBois. A collection of synthesis, signal processing, and video objects (with source-code toolkit) for max/msp/nato. 2001.
Francisco Colasanto. Max/MSP: guía de programación para artistas. CMMAS, 2010.
Danilo Rossetti and Jônatas Manzolli. De montserrat às ressonâncias do piano: uma análise com descritores de áudio. Opus, 23(3):193–221, 2017.
Federico Ochoa Escobar. El libro de las gaitas largas: tradición de los Montes de María. Edtitorial Pontificia Universidad Javeriana, 2013.
Neville H Fletcher and Thomas D Rossing. The physics of musical instruments. Springer Science & Business Media, 2012.
Curtis Roads. The computer music tutorial. MIT press, 1996.
Julius O Smith. Physical modeling using digital waveguides. Computer music journal, 16(4):74–91, 1992.
Daniel Gómez Díaz-Pinés. SÍntesis digital de instrumentos musicales: SÍntesis digital de pianos electrÓnicos, 2005. Available at [link].
Camilo Gómez Bonilla. Sound synthesis of a colombian gaita by means of physical modeling. Master of arts thesis, McGill University, Montreal, Canada, 2020.
Gary P. Scavone. An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design. PhD thesis, Stanford University, Stanford, CA, 03/1997 1997.
Perry R Cook and Gary P Scavone. The synthesis toolkit (stk). In ICMC, 1999.
Steve Philbert. Developing a reverb plugin; utilizing faust meets juce framework. In Audio Engineering Society Convention 143. Audio Engineering Society, 2017.
Dan Trueman and R Luke DuBois. A collection of synthesis, signal processing, and video objects (with source-code toolkit) for max/msp/nato. 2001.
Francisco Colasanto. Max/MSP: guía de programación para artistas. CMMAS, 2010.
Danilo Rossetti and Jônatas Manzolli. De montserrat às ressonâncias do piano: uma análise com descritores de áudio. Opus, 23(3):193–221, 2017.
Publicado
15/09/2025
Como Citar
RINCÓN, Juan Felipe Vásquez; ROSSETTI, Danilo.
Synthesizing Tradition: Physical Modeling and Composition with the Colombian Gaita. In: SIMPÓSIO BRASILEIRO DE COMPUTAÇÃO MUSICAL (SBCM), 19. , 2025, Campinas/SP.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2025
.
p. 173-180.
DOI: https://doi.org/10.5753/sbcm.2025.13101.
