IMAGEM-LUDO: proposição imagética a partir da fenomenologia e da neurobiologia contemporânea aplicada à experiência com jogos e videogames
Resumo
Neste artigo, exploramos a experiência dos jogadores de videogame em termos de percepção e imagética mental. Adotamos uma abordagem inter/transdisciplinar, combinando neurociência cognitiva, fenomenologia e Game Studies. Introduzimos o conceito de imagem-ludo para abordar a complexidade da experiência com videogames, destacando o papel da percepção de affordances e da cognição incorporada nesse processo. Concluímos que a percepção de imagens em videogames evoca uma resposta lúdica que imerge o jogador em uma sensação de jogo antes da possibilidade de interação.
Palavras-chave:
Videogames, percepção, imagética mental, affordances, cognição
incorporada
Referências
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Camingue, J., Carstensdottir, E., & Melcer, E. F. (2021). What is a Visual Novel? Proceedings of the ACM on Human-Computer Interaction, 5(CHI PLAY), 1–18. DOI: 10.1145/3474712
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da Silva Oliveira, F.I. & Rodrigues, S.T. (2006). Affordances: a relação entre agente e ambiente. Ciências & Cognição 9, 120–130. [link].
Deamer, D. (2016). Deleuze’s Cinema Books. Edinburgh: Edinburgh University Press.
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Deleuze, G. (1986). Cinema 1 : the Movement-Image. New York: Continuum.
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Gallese, V. (2008). Mirror neurons and the social nature of language: The neural exploitation hypothesis. Social Neuroscience, 3(3-4), 317–333. DOI: 10.1080/17470910701563608
Gallese, V., & Guerra, M. (2019). The Empathic Screen. Oxford: Oxford University Press.
Galloway, A. R. (2006). Gaming : essays on algorithmic culture. Minneapolis: University Of Minnesota Press.
Huizinga, J. (2016). Homo Ludens: a study of the play-element in culture. Angelico Press. (Original work published 1938)
Kammler, A. (2022). Playing with Light. On the Materialities of Video Game Spaces. Special Issue: Ludomaterialities 2,. [link]. Acesso em 18 de Maio de 2024.
Ladislau, T. & Fróes, M. (2019). O círculo mágico, a atitude lúdica e a estética dos jogos. Porto Alegre, RS: Proceedings of SBGames 2019. [link].
Laurel, B. (2014). Computers as theatre. Upper Saddle River, Nj: Addison-Wesley.
Madigan, J. (2012). The Walking Dead, Mirror Neurons, and Empathy. The Psychology of Video Games. [link]. Acesso em 19 de Maio de 2024.
Marie Mills, R. (2022). A Post-Soul Spider-Man. The Black Scholar, 52(1), 41–52. DOI: 10.1080/00064246.2022.2007345
McCullough, H. (2019). From Zelda to Stanley. Press Start 5, 137–149. [link]. Acesso em 18 de Maio de 2024.
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Ricardo, J. (2022). Touken Ranbu Warriors Review – Gamecritics.com. gamecritics.com. [link]. Acesso em 18 de Maio de 2024.
Salen, K., & Zimmerman, E. (2003). Rules of Play: Game Design Fundamentals. Cambridge, Mass. The Mit Press.
Shimada, S., & Abe, R. (2010). Outcome and view of the player modulate motor area activity during observation of a competitive game. Neuropsychologia, 48(7), 1930–1934. DOI: 10.1016/j.neuropsychologia.2010.03.012
shmuplations. (2022, January 7). Resident Evil 2 – 1998 Developer Interview - shmuplations.com. Retrieved from shmuplations.com website: [link]
Sicart, M. (2023). Playing Software. MIT Press.
Square, F. (2013). Wow, people are real jerks about watching cutscenes. - Page 8. forum.square-enix.com. [link]. Acesso em 18 de Maio de 2024.
Suits, B. H. (1978). The grasshopper games, life and utopia. Toronto [U.A.] University Of Toronto Press.
Swink, S. (2008). Game Feel: A Game Designer’s Guide to Virtual Sensation. In Amazon (1a edição). Amsterdam ; Boston: Morgan Kaufmann Publishers.
Trentini, B. (2015). Immersion as an embodied cognition shift: aesthetic experience and spatial situated cognition. Cognitive Processing, 16(S1), 413–416. DOI: 10.1007/s10339-015-0684-y
Turkle, S. (2005). The second self : computers and the human spirit. Cambridge, Mass.: Mit Press.
Vahlo, J. (2017). An Enactive Account of the Autonomy of Videogame Gameplay. Game Studies, 17(1). Retrieved from [link]
Varela, F. J., Rosch, E., & Thompson, E. (2016). The embodied mind : cognitive science and human experience. Cambridge, Massachusetts: The Mit Press.
Viale, R., Gallagher, S., & Gallese, V. (2023). Editorial: Embodied bounded rationality. Frontiers in Psychology, 14(14). DOI: 10.3389/fpsyg.2023.1235087
Will, P., Rothwell, A., Chisholm, J. D., Risko, E. F., & Kingstone, A. (2020). Cognitive load but not immersion plays a significant role in embodied cognition as seen through the spontaneous act of leaning. Quarterly Journal of Experimental Psychology, 73(11), 2000–2007. DOI: 10.1177/1747021820939088
Wolf, M. J. P. (2008). The Video Game Theory Reader 2. In B. Perron (Ed.), Amazon (1a edição). New York: Routledge.
Wolf, M. J. P., & Perron, B. (2014). The routledge companion to video game studies. New York, Ny: Routledge.Routledge, 2014.
Bakels, J.-H. (2020). Steps towards a Phenomenology of Video Games—Some Thoughts on Analyzing Aesthetics and Experience. Eludamos: Journal for Computer Game Culture, 11(1), 71–97. DOI: 10.7557/23.6354
Brigante, G. G., & Woods, C. T. (2024). On making one’s way through chess. Sport, Education and Society, 29(4), 1–14. DOI: 10.1080/13573322.2024.2346141
Camingue, J., Carstensdottir, E., & Melcer, E. F. (2021). What is a Visual Novel? Proceedings of the ACM on Human-Computer Interaction, 5(CHI PLAY), 1–18. DOI: 10.1145/3474712
Campbell, C. (2016). The problem with “walking sims”. Polygon. [link]. Acesso em 18 de Maio de 2024.
chessyoga. (2023). FIDE rated Hybrid Chess Tournament. chessyoga.com. [link]. Acesso em 18 de Maio de 2024.
da Silva Oliveira, F.I. & Rodrigues, S.T. (2006). Affordances: a relação entre agente e ambiente. Ciências & Cognição 9, 120–130. [link].
Deamer, D. (2016). Deleuze’s Cinema Books. Edinburgh: Edinburgh University Press.
DeLeon, C. (2013). Rules in Computer Games Compared to Rules in Traditional Games. Semantic Scholar. [link]. Acesso em 18 de Maio de 2024.
Deleuze, G. (1986). Cinema 1 : the Movement-Image. New York: Continuum.
Deleuze, G. (1996). Deleuze filosofia virtual (É. Alliez, Ed.; H. B. S. Rocha, Trans.). Sao Paulo: Editora 34.
esports.net. Is Esports a Sport? Countries where Esports is considered a sport. Esports.net. [link]. Acesso em 18 de Maio de 2024.
Ferrari, P. F., & Coudé, G. (2018). Mirror Neurons, Embodied Emotions, and Empathy. Neuronal Correlates of Empathy, 67–77. DOI: 10.1016/B978-0-12-805397-3.00006-1
Gallese, V. (2008). Mirror neurons and the social nature of language: The neural exploitation hypothesis. Social Neuroscience, 3(3-4), 317–333. DOI: 10.1080/17470910701563608
Gallese, V., & Guerra, M. (2019). The Empathic Screen. Oxford: Oxford University Press.
Galloway, A. R. (2006). Gaming : essays on algorithmic culture. Minneapolis: University Of Minnesota Press.
Huizinga, J. (2016). Homo Ludens: a study of the play-element in culture. Angelico Press. (Original work published 1938)
Kammler, A. (2022). Playing with Light. On the Materialities of Video Game Spaces. Special Issue: Ludomaterialities 2,. [link]. Acesso em 18 de Maio de 2024.
Ladislau, T. & Fróes, M. (2019). O círculo mágico, a atitude lúdica e a estética dos jogos. Porto Alegre, RS: Proceedings of SBGames 2019. [link].
Laurel, B. (2014). Computers as theatre. Upper Saddle River, Nj: Addison-Wesley.
Madigan, J. (2012). The Walking Dead, Mirror Neurons, and Empathy. The Psychology of Video Games. [link]. Acesso em 19 de Maio de 2024.
Marie Mills, R. (2022). A Post-Soul Spider-Man. The Black Scholar, 52(1), 41–52. DOI: 10.1080/00064246.2022.2007345
McCullough, H. (2019). From Zelda to Stanley. Press Start 5, 137–149. [link]. Acesso em 18 de Maio de 2024.
Mejias, N. (2023, February 8). It’s Time to Stop Denying That Visual Novels Are for Gamers - VN Game Den. Acesso em 18 de maio 2024. [link]
Merleau-Ponty, M. (1962). Phenomenology of perception. London: Forgotten Books.
Merleau-Ponty, M. (1992). Sense and Nonsense. Amazon Evanston, Ill.: Northwestern University Press. [link]. Acesso em 18 de Maio de 2024.
Muriel, D., & Crawford, G. (2018). Video Games as Culture. England, UK: Routledge.
Nye, B. D., & Silverman, B. G. (2012). Affordance. Encyclopedia of the Sciences of Learning, 179–183. DOI: 10.1007/978-1-4419-1428-6_369
poetryintranslation.com. (n.d.). Ovid (43 BC–17) - The Metamorphoses: Book 8. Retrieved May 19, 2024, from [link] website: [link]
Resetera.com. (2022). The complaint of a game being a “Movie game” online, drives me absolutely bonkers. ResetEra. [link]. Acesso em 18 de Maio de 2024.
Reynolds, D. (2016). The Vitruvian Thumb: Embodied Branding and Lateral Thinking with the Nintendo Game Boy. Game Studies, 16(1). Retrieved from [link]
Ricardo, J. (2022). Touken Ranbu Warriors Review – Gamecritics.com. gamecritics.com. [link]. Acesso em 18 de Maio de 2024.
Salen, K., & Zimmerman, E. (2003). Rules of Play: Game Design Fundamentals. Cambridge, Mass. The Mit Press.
Shimada, S., & Abe, R. (2010). Outcome and view of the player modulate motor area activity during observation of a competitive game. Neuropsychologia, 48(7), 1930–1934. DOI: 10.1016/j.neuropsychologia.2010.03.012
shmuplations. (2022, January 7). Resident Evil 2 – 1998 Developer Interview - shmuplations.com. Retrieved from shmuplations.com website: [link]
Sicart, M. (2023). Playing Software. MIT Press.
Square, F. (2013). Wow, people are real jerks about watching cutscenes. - Page 8. forum.square-enix.com. [link]. Acesso em 18 de Maio de 2024.
Suits, B. H. (1978). The grasshopper games, life and utopia. Toronto [U.A.] University Of Toronto Press.
Swink, S. (2008). Game Feel: A Game Designer’s Guide to Virtual Sensation. In Amazon (1a edição). Amsterdam ; Boston: Morgan Kaufmann Publishers.
Trentini, B. (2015). Immersion as an embodied cognition shift: aesthetic experience and spatial situated cognition. Cognitive Processing, 16(S1), 413–416. DOI: 10.1007/s10339-015-0684-y
Turkle, S. (2005). The second self : computers and the human spirit. Cambridge, Mass.: Mit Press.
Vahlo, J. (2017). An Enactive Account of the Autonomy of Videogame Gameplay. Game Studies, 17(1). Retrieved from [link]
Varela, F. J., Rosch, E., & Thompson, E. (2016). The embodied mind : cognitive science and human experience. Cambridge, Massachusetts: The Mit Press.
Viale, R., Gallagher, S., & Gallese, V. (2023). Editorial: Embodied bounded rationality. Frontiers in Psychology, 14(14). DOI: 10.3389/fpsyg.2023.1235087
Will, P., Rothwell, A., Chisholm, J. D., Risko, E. F., & Kingstone, A. (2020). Cognitive load but not immersion plays a significant role in embodied cognition as seen through the spontaneous act of leaning. Quarterly Journal of Experimental Psychology, 73(11), 2000–2007. DOI: 10.1177/1747021820939088
Wolf, M. J. P. (2008). The Video Game Theory Reader 2. In B. Perron (Ed.), Amazon (1a edição). New York: Routledge.
Wolf, M. J. P., & Perron, B. (2014). The routledge companion to video game studies. New York, Ny: Routledge.Routledge, 2014.
Publicado
30/09/2024
Como Citar
DOS SANTOS, Thiago Ladislau; FRÓES, Maira Monteiro.
IMAGEM-LUDO: proposição imagética a partir da fenomenologia e da neurobiologia contemporânea aplicada à experiência com jogos e videogames. In: SIMPÓSIO BRASILEIRO DE JOGOS E ENTRETENIMENTO DIGITAL (SBGAMES), 23. , 2024, Manaus/AM.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2024
.
p. 682-695.
DOI: https://doi.org/10.5753/sbgames.2024.241264.
