The Classical Detective Story Formula from Literature to Videogames
Resumo
The classical detective story format, originated from Edgar Allan Poe’s tales of ratiocination, has spread into all kinds of different media over the past century, transforming itself each time to make better use of each medium’s specificities. This paper stems from John Cawelti's studies about the literary formula of the detective narrative, using them as a base to analyze E. A. Poe's short story “Murders in the Rue Morgue” and Lucas Pope’s videogame Return of the Obra Dinn. I seek to understand how the literary conventions of the genre were adapted, transposed and recreated in the interactive medium. Through Cawelti’s framework for the classical detective story formula, the analysis focuses on four main patterns found in the genre: (1) situation, (2) action, (3) characters and relationships and (4) setting. I will argue here that the element of interaction is responsible for modifying the most important component of the literary genre: the detective figure. This important change alters the purpose of the detective story genre itself; however, it also makes for an experience which is more on par with the literary detective’s actions as well.
Referências
J. Scaggs, Crime Fiction. London: Routledge, 2005.
C. Gregoriou, Crime Fiction Migration: Crossing Languages, Cultures and Media. London: Bloomsbury, 2017.
C. Fernandez-Vara, “The Game’s Afoot: Designing Sherlock Holmes,” in DIGRA ’13 – Proceedings of the 2013 DIGRA International Conference: Defragging Game Studies, 26-29 August, 2013, Atlanta [Online]. Available: [link]. [Accessed: 22 Jul. 2021].
RETURN OF THE OBRA DINN, Lucas Pope, 2018.
S. Craighill, “The Influence of Duality and Poe’s Notion of the ‘Bi-Part Soul’ on the Genesis of Detective Fiction in the Nineteenth-Century,” Master’s thesis, School of Arts and Creative Industries, Edinburgh Napier University, Edinburgh, Dec. 2010. Accessed on: Jul. 22 2021. [Online] Available: [link].
M. Priestman, Detective Fiction and Literature: The Figure on the Carpet. New York: Palgrave Macmillan, 1991.
S. Knight, Form and Ideology in Crime Fiction. London: The Macmillan Press, 1980.
M. A. Kayman, “The short story from Poe to Chesterton,” in The Cambridge Companion to Crime Fiction, M. Priestman Ed. New York: Cambridge University Press, 2003, ch. 3, pp. 41-58.
E. A. Poe, “The Murders in the Rue Morgue,” in The Annotated Poe, E. A. Poe and K. J. Hayes Ed. Cambridge: The Belknap Press, 2015, pp. 175-209.
G. Eason, B. Noble, and I. N. Sneddon, “On certain integrals of Lipschitz-Hankel type involving products of Bessel functions,” Phil. Trans. Roy. Soc. London, vol. A247, pp. 529–551, April 1955.