Expressividade de instrumentos musicais digitais - Just push play
Resumo
A criação de um instrumento musical digital é uma atividade que atrai músicos e pesquisadores há décadas e certamente possui problemas em abertos sobre os quais estas pesquisas tem se debruçado. Certamente, criar um instrumento pode ser uma tarefa simples que consiste em organizar uma interface de forma que ela sirva para fazer som. No entanto, esta interface simples pode estar distante do que consideramos um instrumento musical quando pensamos que gerar som pode não ser a única coisa que buscamos ao tocar um instrumento.
Palavras-chave:
Movement and Gesture, Music Expressiveness
Referências
Victor Zappi and Andrew P McPherson. Dimensionality and appropriation in digital musical instrument design. In NIME, volume 14, pages 455–460. Citeseer, 2014.
Andy Hunt, Marcelo M Wanderley, and Ross Kirk. Towards a model for instrumental mapping in expert musical interaction. In ICMC. Citeseer, 2000.
Andy Hunt, Marcelo M Wanderley, and Matthew Paradis. The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32(4):429–440, 2003.
Alexis Kirke and Eduardo R Miranda. Guide to computing for expressive music performance. Springer Science & Business Media, 2012.
Andy Hunt and Ross Kirk. Mapping strategies for musical performance. Trends in gestural control of music, 21(2000):231–258, 2000.
Elias de Oliveira Ferreira. A obra musical Repentes de Pedro Cameron: Influências idiomáticas do violão como recurso composicional. PhD thesis, 2016.
Sergio Antonio Caldana Battistuzzo et al. Francisco araújo: o uso do idiomatismo na composição de obras para violão solo. 2009.
Rômulo Vieira, Gabriel Rocha, and Flávio Schiavoni. Current research on the use of hci in decision-making to build digital musical instruments: A survey. In Proceedings of the 19th Brazilian Symposium on Human Factors in Computing Systems, IHC ’20. Association for Computing Machinery, 2020.
Josep Lluís Arcos, Ramon López De Mántaras, and Xavier Serra. Saxex: A case-based reasoning system for generating expressive musical performances. Journal of New Music Research, 27(3):194–210, 1998.
Cornelius Poepel. On interface expressivity: A player based study. In NIME, volume 5, pages 228–231. Citeseer, 2005.
Christopher Dobrian and Daniel Koppelman. The’e’in nime: Musical expression with new computer interfaces. In NIME, volume 6, pages 277–282, 2006.
Andy Hunt, Marcelo M Wanderley, and Ross Kirk. Towards a model for instrumental mapping in expert musical interaction. In ICMC. Citeseer, 2000.
Andy Hunt, Marcelo M Wanderley, and Matthew Paradis. The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32(4):429–440, 2003.
Alexis Kirke and Eduardo R Miranda. Guide to computing for expressive music performance. Springer Science & Business Media, 2012.
Andy Hunt and Ross Kirk. Mapping strategies for musical performance. Trends in gestural control of music, 21(2000):231–258, 2000.
Elias de Oliveira Ferreira. A obra musical Repentes de Pedro Cameron: Influências idiomáticas do violão como recurso composicional. PhD thesis, 2016.
Sergio Antonio Caldana Battistuzzo et al. Francisco araújo: o uso do idiomatismo na composição de obras para violão solo. 2009.
Rômulo Vieira, Gabriel Rocha, and Flávio Schiavoni. Current research on the use of hci in decision-making to build digital musical instruments: A survey. In Proceedings of the 19th Brazilian Symposium on Human Factors in Computing Systems, IHC ’20. Association for Computing Machinery, 2020.
Josep Lluís Arcos, Ramon López De Mántaras, and Xavier Serra. Saxex: A case-based reasoning system for generating expressive musical performances. Journal of New Music Research, 27(3):194–210, 1998.
Cornelius Poepel. On interface expressivity: A player based study. In NIME, volume 5, pages 228–231. Citeseer, 2005.
Christopher Dobrian and Daniel Koppelman. The’e’in nime: Musical expression with new computer interfaces. In NIME, volume 6, pages 277–282, 2006.
Publicado
24/10/2021
Como Citar
ROCHA, Gabriel Lopes; SCHIAVONI, Flávio Luiz.
Expressividade de instrumentos musicais digitais - Just push play. In: SIMPÓSIO BRASILEIRO DE COMPUTAÇÃO MUSICAL (SBCM), 18. , 2021, Recife.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2021
.
p. 245-248.
DOI: https://doi.org/10.5753/sbcm.2021.19458.
