Towards a Latin American NIME Research Community
Resumo
In this workshop, we propose the first steps towards consolidating a Latin American (LATAM) New Interfaces for Musical Expression (NIME) Research Community. We aim to start a discussion and generate ideas around shortterm actionable initiatives that a LATAM NIME Research Community could explore in the near future. We will discuss various topics centered around three main areas: (1) The creation of a LATAM NIME network, (2) Exploring LATAM NIME perspectives, and (3) the Next Steps for LATAM NIME. After this activity, we will have a plenary discussion where we will share ideas for action and reflections. Lastly, we list a series of expected outcomes of the workshop, although we acknowledge that many others may emerge during the workshop. We look forward to taking the first steps towards a LATAM NIME Community and the future of this community within and beyond NIME, opening to other communities in LATAM, and stirring policy changes to support the development of our local communities.
Palavras-chave:
Movement and Gesture, Music Expressiveness, Music, Society, and Technology, Real-time Interactive Systems
Referências
Martin Matus Lerner. Latin american NIMEs: Electronic musical instruments and experimental sound devices in thetwentieth century. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 228–233, Porto Alegre, Brazil, June 2019. UFRGS.
Lauren Hayes and Adnan Marquez-Borbon. Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 428–433. Zenodo, June 2020.
Stefano Fasciani and Jackson Goode. 20 nimes: Twenty years of new interfaces for musical expression. In Proceedings of the International Conference on New Interfaces for Musical Expression, Shanghai, China, June 2021. NYU Shanghai.
Adriana Alvarado Garcia, Karla Badillo-Urquiola, Mayra D. Barrera Machuca, Franceli L. Cibrian, Marianela Ciolfi Felice, Laura S. Gaytán-Lugo, Diego GómezZará, Carla F. Griggio, Monica Perusquia-Hernandez, Soraia Silva-Prietch, Carlos E. Tejada, and Marisol Wong-Villacres. Fostering hci research in, by, and for latin america. In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, CHI EA ’20, page 1–4, New York, NY, USA, 2020. Association for Computing Machinery.
Juan Pablo Martinez Avila, Chris Greenhalgh, Adrian Hazzard, Steve Benford, and Alan Chamberlain. Encumbered Interaction: A Study of Musicians Preparing to Perform, page 1–13. Association for Computing Machinery, New York, NY, USA, 2019.
Filipe Calegario, Marcelo Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias S Kirkegaard, Mathias Bredholt, and Josh Rohs. Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 285–290. Zenodo, June 2020.
Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, and Geber Ramalho. A method and toolkit for digital musical instruments: Generating ideas and prototypes. IEEE MultiMedia, 24(1):63–71, 2017.
Martin Matus Lerner. Osiris: a liquid based digital musical instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 52–55. Zenodo, June 2017.
Laurel S Pardue, Miguel Ortiz, Maarten van Walstijn, Paul Stapleton, and Matthew Rodger. Vodhrán: collaborative design for evolving a physical model and interface into a proto- instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 523–524. Zenodo, June 2020.
Juan Mariano Ramos. Eolos: a wireless MIDI wind controller. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 303–306, Porto Alegre, Brazil, June 2019. UFRGS.
Matthew Rodger, Paul Stapleton, Maarten van Walstijn, Miguel Ortiz, and Laurel S Pardue. What Makes a Good Musical Instrument? A Matter of Processes, Ecologies and Specificities. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 405– 410. Zenodo, June 2020.
Teodoro Dannemann. Luthiers del siglo xxi, 2019.
Alex Michael Lucas, Miguel Ortiz, and Dr. Franziska Schroeder. Bespoke design for inclusive music: The challenges of evaluation. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 105–109, Porto Alegre, Brazil, June 2019. UFRGS.
Miguel A. Ortiz Pérez, Benjamin Knapp, and Michael Alcorn. Díamair: Composing for choir and integral music controller. In Proceedings of the 7th International Conference on New Interfaces for Musical Expression, NIME ’07, page 289–292, New York, NY, USA, 2007. Association for Computing Machinery.
Javier Jaimovich and Francisca Morand. Shaping the biology of emotion: Emovere, an interactive performance. International Journal of Performance Arts and Digital Media, 15(1):35–52, 2019.
Ximena Alarcón Díaz. Conceptual design for intimal: a physical/virtual embodied system for relational listening. The Journal of Somaesthetics, 4(2), 2019.
Juan P Martinez Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew McPherson, and Steve Benford. Soma design for nime. In Romain Michon and Franziska Schroeder, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 489–494, Birmingham, UK, July 2020. Birmingham City University.
Isabela Corintha Almeida, Giordano Cabral, and Professor Gilberto Bernardes Almeida. AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 168–169. Zenodo, June 2019.
Isabela Corintha and Giordano Cabral. Improvised soundmaking within musical apprenticeship and enactivism: An intersection between the 4e‘s model and dmis. International Conference on New Interfaces for Musical Expression, 4 2021. https://nime.pubpub.org/pub/e4lsrn6c.
Adnan Marquez-Borbon and Juan Pablo Martinez-Avila. The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 190–195. Zenodo, June 2018.
Adnan Marquez-Borbon. Collaborative Learning with Interactive Music Systems. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 581–586. Zenodo, June 2020.
Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber Ramalho, and Marcelo M. Wanderley. Designing DMIs for popular music in the Brazilian northeast: Lessons learned. In Edgar Berdahl and Jesse Allison, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 277–280, Baton Rouge, Louisiana, USA, May 2015. Louisiana State University.
Juan Mariano Ramos. Bandoneon 2.0: desarrollo del prototipo de Bandoneón Electrónico ALFA. In UFSCar, editor, Anais das XXVII Jornadas de Jovens Pesquisadores. A Ciência e a Tecnologia na Produção de Inovação e Transformação Social., São Carlos, Brazil, October 2019. UFSCar.
Laddy Patricia Cadavid Hinojosa. Electronic _khipu_: Thinking in experimental sound from an ancestral andean interface. Computer Music Journal, 44(2-3):39–54, 07 2021.
Laddy P Cadavid. Knotting the memory//encoding the khipu_: Reuse of an ancient andean device as a nime. In Romain Michon and Franziska Schroeder, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 495–498, Birmingham, UK, jul 2020. Birmingham City University.
João Tragtenberg, Filipe Calegario, Giordano Cabral, and Geber Ramalho. Tumtá and pisada: Two foot-controlled digital dance and music instruments inspired by popular brazillian traditions. In Anais do XVII Simpósio Brasileiro de Computação Musical, pages 76–83, Porto Alegre, RS, Brasil, 2019. SBC.
João Tragtenberg, Gabriel Albuquerque, and Filipe Calegario. Gambiarra and techno-vernacular creativity in nime research. International Conference on New Interfaces for Musical Expression, 4 2021. https://nime.pubpub.org/pub/aqm27581.
Ximena Alarcon-Diaz, Victor Evaristo Gonzalez-Sanchez, and Cagri Erdem. PICO: Intimal: Walking to feel place, breathing to feel presence. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 355–360, Porto Alegre, Brazil, June 2019. UFRGS.
Ximena Alarcon Diaz, Paul Boddie, Cagri Erdem, Eigil Aandahl, Elias Sukken Andersen, Eirik Dahl, Mari Lesteberg, and Alexander Refsum Jensenius. Sensing place and presence in an intimal long-distance improvisation. Journal of Network Music and Arts, 1(1):3, 2019.
Lauren Hayes and Adnan Marquez-Borbon. Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 428–433. Zenodo, June 2020.
Stefano Fasciani and Jackson Goode. 20 nimes: Twenty years of new interfaces for musical expression. In Proceedings of the International Conference on New Interfaces for Musical Expression, Shanghai, China, June 2021. NYU Shanghai.
Adriana Alvarado Garcia, Karla Badillo-Urquiola, Mayra D. Barrera Machuca, Franceli L. Cibrian, Marianela Ciolfi Felice, Laura S. Gaytán-Lugo, Diego GómezZará, Carla F. Griggio, Monica Perusquia-Hernandez, Soraia Silva-Prietch, Carlos E. Tejada, and Marisol Wong-Villacres. Fostering hci research in, by, and for latin america. In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, CHI EA ’20, page 1–4, New York, NY, USA, 2020. Association for Computing Machinery.
Juan Pablo Martinez Avila, Chris Greenhalgh, Adrian Hazzard, Steve Benford, and Alan Chamberlain. Encumbered Interaction: A Study of Musicians Preparing to Perform, page 1–13. Association for Computing Machinery, New York, NY, USA, 2019.
Filipe Calegario, Marcelo Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias S Kirkegaard, Mathias Bredholt, and Josh Rohs. Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 285–290. Zenodo, June 2020.
Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, and Geber Ramalho. A method and toolkit for digital musical instruments: Generating ideas and prototypes. IEEE MultiMedia, 24(1):63–71, 2017.
Martin Matus Lerner. Osiris: a liquid based digital musical instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 52–55. Zenodo, June 2017.
Laurel S Pardue, Miguel Ortiz, Maarten van Walstijn, Paul Stapleton, and Matthew Rodger. Vodhrán: collaborative design for evolving a physical model and interface into a proto- instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 523–524. Zenodo, June 2020.
Juan Mariano Ramos. Eolos: a wireless MIDI wind controller. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 303–306, Porto Alegre, Brazil, June 2019. UFRGS.
Matthew Rodger, Paul Stapleton, Maarten van Walstijn, Miguel Ortiz, and Laurel S Pardue. What Makes a Good Musical Instrument? A Matter of Processes, Ecologies and Specificities. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 405– 410. Zenodo, June 2020.
Teodoro Dannemann. Luthiers del siglo xxi, 2019.
Alex Michael Lucas, Miguel Ortiz, and Dr. Franziska Schroeder. Bespoke design for inclusive music: The challenges of evaluation. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 105–109, Porto Alegre, Brazil, June 2019. UFRGS.
Miguel A. Ortiz Pérez, Benjamin Knapp, and Michael Alcorn. Díamair: Composing for choir and integral music controller. In Proceedings of the 7th International Conference on New Interfaces for Musical Expression, NIME ’07, page 289–292, New York, NY, USA, 2007. Association for Computing Machinery.
Javier Jaimovich and Francisca Morand. Shaping the biology of emotion: Emovere, an interactive performance. International Journal of Performance Arts and Digital Media, 15(1):35–52, 2019.
Ximena Alarcón Díaz. Conceptual design for intimal: a physical/virtual embodied system for relational listening. The Journal of Somaesthetics, 4(2), 2019.
Juan P Martinez Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew McPherson, and Steve Benford. Soma design for nime. In Romain Michon and Franziska Schroeder, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 489–494, Birmingham, UK, July 2020. Birmingham City University.
Isabela Corintha Almeida, Giordano Cabral, and Professor Gilberto Bernardes Almeida. AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 168–169. Zenodo, June 2019.
Isabela Corintha and Giordano Cabral. Improvised soundmaking within musical apprenticeship and enactivism: An intersection between the 4e‘s model and dmis. International Conference on New Interfaces for Musical Expression, 4 2021. https://nime.pubpub.org/pub/e4lsrn6c.
Adnan Marquez-Borbon and Juan Pablo Martinez-Avila. The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 190–195. Zenodo, June 2018.
Adnan Marquez-Borbon. Collaborative Learning with Interactive Music Systems. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 581–586. Zenodo, June 2020.
Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber Ramalho, and Marcelo M. Wanderley. Designing DMIs for popular music in the Brazilian northeast: Lessons learned. In Edgar Berdahl and Jesse Allison, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 277–280, Baton Rouge, Louisiana, USA, May 2015. Louisiana State University.
Juan Mariano Ramos. Bandoneon 2.0: desarrollo del prototipo de Bandoneón Electrónico ALFA. In UFSCar, editor, Anais das XXVII Jornadas de Jovens Pesquisadores. A Ciência e a Tecnologia na Produção de Inovação e Transformação Social., São Carlos, Brazil, October 2019. UFSCar.
Laddy Patricia Cadavid Hinojosa. Electronic _khipu_: Thinking in experimental sound from an ancestral andean interface. Computer Music Journal, 44(2-3):39–54, 07 2021.
Laddy P Cadavid. Knotting the memory//encoding the khipu_: Reuse of an ancient andean device as a nime. In Romain Michon and Franziska Schroeder, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 495–498, Birmingham, UK, jul 2020. Birmingham City University.
João Tragtenberg, Filipe Calegario, Giordano Cabral, and Geber Ramalho. Tumtá and pisada: Two foot-controlled digital dance and music instruments inspired by popular brazillian traditions. In Anais do XVII Simpósio Brasileiro de Computação Musical, pages 76–83, Porto Alegre, RS, Brasil, 2019. SBC.
João Tragtenberg, Gabriel Albuquerque, and Filipe Calegario. Gambiarra and techno-vernacular creativity in nime research. International Conference on New Interfaces for Musical Expression, 4 2021. https://nime.pubpub.org/pub/aqm27581.
Ximena Alarcon-Diaz, Victor Evaristo Gonzalez-Sanchez, and Cagri Erdem. PICO: Intimal: Walking to feel place, breathing to feel presence. In Marcelo Queiroz and Anna Xambó Sedó, editors, Proceedings of the International Conference on New Interfaces for Musical Expression, pages 355–360, Porto Alegre, Brazil, June 2019. UFRGS.
Ximena Alarcon Diaz, Paul Boddie, Cagri Erdem, Eigil Aandahl, Elias Sukken Andersen, Eirik Dahl, Mari Lesteberg, and Alexander Refsum Jensenius. Sensing place and presence in an intimal long-distance improvisation. Journal of Network Music and Arts, 1(1):3, 2019.
Publicado
24/10/2021
Como Citar
AVILA, Juan Pablo Martinez et al.
Towards a Latin American NIME Research Community. In: SIMPÓSIO BRASILEIRO DE COMPUTAÇÃO MUSICAL (SBCM), 18. , 2021, Recife.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2021
.
p. 298-301.
DOI: https://doi.org/10.5753/sbcm.2021.19468.
