Introdução à Internet das Coisas Musicais: Prática utilizando Pure Data e Processing
Resumo
The Internet of Musical Things is an interdisciplinary area that draws on principles from computer science and music. It proposes new interactions in art shows, opening new paths for collaborative activities, besides being useful in the teaching these concepts. Despite all these advantages, this area is still unexplored, mainly because it is a novelty and presents several open issues. This work, therefore, aims to exploring the potential of this technology, presenting tools that can be useful in the development of your systems, such as Pure Data and Processing.
Palavras-chave:
Internet of Musical Things, Pure Data, Processing, Interactive art
Referências
Alexandre Almeida, Rômulo Vieira, Rafael Sacheto, and Flávio Schiavoni. 2021. Desafios da Internet das Coisas Musicais. In Proceedings of the 18th Brazilian Symposium on Computer Music. Sociedade Brasileira de Computação, Recife - PE - Brasil, 252–255.
Luigi Atzori, Antonio Iera, and Giacomo Morabito. 2010. The Internet of Things: A Survey. Computer Networks (10 2010), 2787–2805. https://doi.org/10.1016/j.comnet.2010.05.010
BURGESS, R. J. 2014. History of Music Production. Oxford University Press, Oxford, UK.
Andy Farnell. 2010. Designing Sound (1st ed.). MIT Press.
Peter Gainsford. 1993. Pure Data: FLOSS Manual (3 ed.). The organization, The address of the publisher. An optional note.
Marcelo Knobel. 2017. Física da Fala e da Audição.
Johannes Kreidler. 2013. Loadbang: Programming Electronic Music in Pure Data (1st ed.). Wolke Verlagsges.
John Lazzaro and John Wawrzynek. 2001. A Case for Network Musical Performance. In Proceedings of the 11th International Workshop on Network and Operating Systems Support for Digital Audio and Video (Port Jefferson, New York, USA) (NOSSDAV ’01). Association for Computing Machinery, New York, NY, USA, 157–166. https://doi.org/10.1145/378344.378367
Evandro Miletto, Leandro Costalonga, Luciano Flores, E Fritsch, Marcelo Pimenta, and Rosa Vicari. 2004. Introdução à computação musical. Proceedings of IV Congresso Brasileiro de Computação (01 2004).
MILLARD, A. 2005. America on Record: A History of Recorded Sound. Cambridge University Press, Cambridge, UK.
Eduardo Miranda and Marcelo M. Wanderley. 2006. New Digital Musical Instruments: Control And Interaction Beyond the Keyboard. A-R Editions, Middleton, Wisconsin, EUA.
R Moog. 1988. The Musician: Alive and Well in the World of Electronics. In The Biology of Music Making: Proceedings of the 1984 Denver Conference. MMB Music, Inc, St Louis, MO, EUA, 214–220.
Jeff Pressing. 1990. Cybernetic Issues in Interactive Performance Systems. Computer Music Journal 14, 1 (1990), 12–25. https://doi.org/10.2307/3680113
Casey Reas and Ben Fry. 2010. Getting Started with Processing: A Quick, Hands-on Introduction (1st ed.). O’Reilly Media.
Boris Smus. 2013. Web Audio API: Advanced Sound for Games and Interactive Apps. O’Reilly Media.
Luca Turchet and Mathieu Barthet. 2018. Jamming with a Smart Mandolin and Freesound-based Accompaniment. In IEEE Open Innovations Association FRUCT. https://doi.org/10.23919/FRUCT.2018.8588110
Luca Turchet, Carlo Fischione, Georg Essl, Damián Keller, and Mathieu Barthet. 2018. Internet of Musical Things: Vision and Challenges. IEEE Access 6 (09 2018), 61994–62017. https://doi.org/10.1109/ACCESS.2018.2872625
Luca Turchet, Fabio Viola, György Fazekas, and Mathieu Barthet. 2018. Towards a Semantic Architecture for the Internet of Musical Things. In IEEE Open Innovations Association. https://doi.org/10.23919/FRUCT.2018.8587917
Rômulo Vieira, Gabriel Rocha, and Flávio Schiavoni. 2020. Current Research on the Use of HCI in Decision-Making to Build Digital Musical Instruments: A Survey. In Proceedings of the 19th Brazilian Symposium on Human Factors in Computing Systems (Diamantina, Brazil) (IHC ’20). Association for Computing Machinery, New York, NY, USA, Article 42, 6 pages. https://doi.org/10.1145/3424953.3426646
Rômulo Vieira and Flávio Schiavoni. 2021. Sunflower: An Environment for Standardized Communication of IoMusT. In Audio Mostly 2021. ACM, New York, NY, USA, 175–181. https://doi.org/10.1145/3478384.3478414
Peter Weibel. 2005. The Post-media Condition. Arte ConTexto 6 (2005), 11–15.
Gil Weinberg. 2002. The Aesthetics, History and Future Challenges of Interconnected Music Networks. Proceedings of International Computer Music Conference (01 2002).
Matthew Wright. 2005. Open Sound Control: An enabling technology for musical networking. Org. Sound 10 (12 2005), 193–200. https://doi.org/10.1017/S1355771805000932
Luigi Atzori, Antonio Iera, and Giacomo Morabito. 2010. The Internet of Things: A Survey. Computer Networks (10 2010), 2787–2805. https://doi.org/10.1016/j.comnet.2010.05.010
BURGESS, R. J. 2014. History of Music Production. Oxford University Press, Oxford, UK.
Andy Farnell. 2010. Designing Sound (1st ed.). MIT Press.
Peter Gainsford. 1993. Pure Data: FLOSS Manual (3 ed.). The organization, The address of the publisher. An optional note.
Marcelo Knobel. 2017. Física da Fala e da Audição.
Johannes Kreidler. 2013. Loadbang: Programming Electronic Music in Pure Data (1st ed.). Wolke Verlagsges.
John Lazzaro and John Wawrzynek. 2001. A Case for Network Musical Performance. In Proceedings of the 11th International Workshop on Network and Operating Systems Support for Digital Audio and Video (Port Jefferson, New York, USA) (NOSSDAV ’01). Association for Computing Machinery, New York, NY, USA, 157–166. https://doi.org/10.1145/378344.378367
Evandro Miletto, Leandro Costalonga, Luciano Flores, E Fritsch, Marcelo Pimenta, and Rosa Vicari. 2004. Introdução à computação musical. Proceedings of IV Congresso Brasileiro de Computação (01 2004).
MILLARD, A. 2005. America on Record: A History of Recorded Sound. Cambridge University Press, Cambridge, UK.
Eduardo Miranda and Marcelo M. Wanderley. 2006. New Digital Musical Instruments: Control And Interaction Beyond the Keyboard. A-R Editions, Middleton, Wisconsin, EUA.
R Moog. 1988. The Musician: Alive and Well in the World of Electronics. In The Biology of Music Making: Proceedings of the 1984 Denver Conference. MMB Music, Inc, St Louis, MO, EUA, 214–220.
Jeff Pressing. 1990. Cybernetic Issues in Interactive Performance Systems. Computer Music Journal 14, 1 (1990), 12–25. https://doi.org/10.2307/3680113
Casey Reas and Ben Fry. 2010. Getting Started with Processing: A Quick, Hands-on Introduction (1st ed.). O’Reilly Media.
Boris Smus. 2013. Web Audio API: Advanced Sound for Games and Interactive Apps. O’Reilly Media.
Luca Turchet and Mathieu Barthet. 2018. Jamming with a Smart Mandolin and Freesound-based Accompaniment. In IEEE Open Innovations Association FRUCT. https://doi.org/10.23919/FRUCT.2018.8588110
Luca Turchet, Carlo Fischione, Georg Essl, Damián Keller, and Mathieu Barthet. 2018. Internet of Musical Things: Vision and Challenges. IEEE Access 6 (09 2018), 61994–62017. https://doi.org/10.1109/ACCESS.2018.2872625
Luca Turchet, Fabio Viola, György Fazekas, and Mathieu Barthet. 2018. Towards a Semantic Architecture for the Internet of Musical Things. In IEEE Open Innovations Association. https://doi.org/10.23919/FRUCT.2018.8587917
Rômulo Vieira, Gabriel Rocha, and Flávio Schiavoni. 2020. Current Research on the Use of HCI in Decision-Making to Build Digital Musical Instruments: A Survey. In Proceedings of the 19th Brazilian Symposium on Human Factors in Computing Systems (Diamantina, Brazil) (IHC ’20). Association for Computing Machinery, New York, NY, USA, Article 42, 6 pages. https://doi.org/10.1145/3424953.3426646
Rômulo Vieira and Flávio Schiavoni. 2021. Sunflower: An Environment for Standardized Communication of IoMusT. In Audio Mostly 2021. ACM, New York, NY, USA, 175–181. https://doi.org/10.1145/3478384.3478414
Peter Weibel. 2005. The Post-media Condition. Arte ConTexto 6 (2005), 11–15.
Gil Weinberg. 2002. The Aesthetics, History and Future Challenges of Interconnected Music Networks. Proceedings of International Computer Music Conference (01 2002).
Matthew Wright. 2005. Open Sound Control: An enabling technology for musical networking. Org. Sound 10 (12 2005), 193–200. https://doi.org/10.1017/S1355771805000932
Publicado
07/11/2022
Como Citar
COSTA, Rômulo Augusto Vieira; MUCHALUAT-SAADE, Débora; SCHIAVONI, Flávio.
Introdução à Internet das Coisas Musicais: Prática utilizando Pure Data e Processing. In: TUTORIAIS - SIMPÓSIO BRASILEIRO DE SISTEMAS MULTIMÍDIA E WEB (WEBMEDIA), 28. , 2022, Curitiba.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2022
.
p. 127-131.
ISSN 2596-1683.
DOI: https://doi.org/10.5753/webmedia_estendido.2022.224089.
