Introdução à computação musical
Abstract
Computer music has the role of facilitating the various forms of generating artistic creativity, information and innovation through totally diversified methods. Currently, computer music acts in several unilateral actions on creativity and technological barriers. This workshop aims to present the great area of musical computing to the interested public from music theory, electroacoustic fundamentals and signal generation, current topics of interest, examples by various programming languages and even comments on various performances in Brazilian universities through of their research labs.
Keywords:
digital musical instruments, music information retrieval, real-time interactive systems
References
Forum Som ao vivo. Disponível em http://www.somaovivo.org. Acesso em 10.09.2021.
Rodrigo Ramos de Araujo, José Mauro da Silva Sandy, Elder José Reioli Cirilo, and Flávio Luiz Schiavoni. Análise e classificação de linguagens de programação musical. Revista Vórtex, 6(2), 2018.
Clenio B Goncalves Junior and Murillo Rodrigo Petrucelli Homem. Um ambiente de programação multiparadigma voltado à composição musical automática. Latin American Journal of Development, 3(1):447–462, 2021.
Perry Cook. 2001: Principles for designing computer music controllers. In A NIME Reader, pages 1–13. Springer, 2017.
Felicia Nafeeza Persaud. In Search of Computer Music Analysis: Music Information Retrieval, Optimization, and Machine Learning from 2000-2016. PhD thesis, Université d’Ottawa/University of Ottawa, 2018.
Clemens Wöllner. Body, sound and space in music and beyond: multimodal explorations. Taylor & Francis, 2017.
Atau Tanaka and Miguel Ortiz. Gestural musical performance with physiological sensors, focusing on the electromyogram. 2017.
Garin Hiebert, K Charley, P Harrison, JM Jot, D Peacock, JM Trivi, and C Vogelsang. Openal programmer’s guide. URL: [link], 2007.
Ge Wang, Perry R Cook, and Spencer Salazar. Chuck: A strongly timed computer music language. Computer Music Journal, 39(4):10–29, 2015.
Alexander Lerch, Claire Arthur, Ashis Pati, and Siddharth Gururani. Music performance analysis: A survey. arXiv preprint arXiv:1907.00178, 2019.
Brian McFee, Colin Raffel, Dawen Liang, Daniel PW Ellis, Matt McVicar, Eric Battenberg, and Oriol Nieto. librosa: Audio and music signal analysis in python. In Proceedings of the 14th python in science conference, volume 8, pages 18–25. Citeseer, 2015.
Rodrigo Ramos de Araujo, José Mauro da Silva Sandy, Elder José Reioli Cirilo, and Flávio Luiz Schiavoni. Análise e classificação de linguagens de programação musical. Revista Vórtex, 6(2), 2018.
Clenio B Goncalves Junior and Murillo Rodrigo Petrucelli Homem. Um ambiente de programação multiparadigma voltado à composição musical automática. Latin American Journal of Development, 3(1):447–462, 2021.
Perry Cook. 2001: Principles for designing computer music controllers. In A NIME Reader, pages 1–13. Springer, 2017.
Felicia Nafeeza Persaud. In Search of Computer Music Analysis: Music Information Retrieval, Optimization, and Machine Learning from 2000-2016. PhD thesis, Université d’Ottawa/University of Ottawa, 2018.
Clemens Wöllner. Body, sound and space in music and beyond: multimodal explorations. Taylor & Francis, 2017.
Atau Tanaka and Miguel Ortiz. Gestural musical performance with physiological sensors, focusing on the electromyogram. 2017.
Garin Hiebert, K Charley, P Harrison, JM Jot, D Peacock, JM Trivi, and C Vogelsang. Openal programmer’s guide. URL: [link], 2007.
Ge Wang, Perry R Cook, and Spencer Salazar. Chuck: A strongly timed computer music language. Computer Music Journal, 39(4):10–29, 2015.
Alexander Lerch, Claire Arthur, Ashis Pati, and Siddharth Gururani. Music performance analysis: A survey. arXiv preprint arXiv:1907.00178, 2019.
Brian McFee, Colin Raffel, Dawen Liang, Daniel PW Ellis, Matt McVicar, Eric Battenberg, and Oriol Nieto. librosa: Audio and music signal analysis in python. In Proceedings of the 14th python in science conference, volume 8, pages 18–25. Citeseer, 2015.
Published
2021-10-24
How to Cite
GOMES, Cláudio.
Introdução à computação musical. In: BRAZILIAN SYMPOSIA ON COMPUTER MUSIC (SBCM), 18. , 2021, Recife.
Anais [...].
Porto Alegre: Sociedade Brasileira de Computação,
2021
.
p. 289-292.
DOI: https://doi.org/10.5753/sbcm.2021.19466.
